Profusion

Too much, on purpose

Five small works, all built the same way: an empty field of colour above, and along the bottom edge, a density of botanical forms that will not stop.

The restraint everywhere else in my work is absent here. Nothing is reduced. Forms overlap, colours argue, and the crowding is the subject. Five different grounds, from cream to night blue to terracotta, which is why they work better hung together than apart.